Final Cut Pro X
25/06/11 05:38 Filed in: Opinion
Wow, I am still trying to wrap my head around the fact that Apple has basically killed Final Cut Pro, my favorite editing program and the program that I make my living off of.
For years we have been waiting for a true 64 bit version of the program, but instead they kill the old suite including Color and Soundtrack, and released what is basically iMovie Pro.
Final Cut Pro X can’t open old Final Cut Pro sequences, only iMovie sequences.
It’s magnetic timeline doesn’t allow for any track organization. It doesn’t import or export XML so you can’t finish in anything else. The viewer window is gone, and has not been well replaced. It is not designed for dual monitors. The organization is awful. You basically have to do titles in Motion now, and it doesn’t even have a build int drop shadow!
You can do text in templates created in Motion, but have to go to Motion to do anything like you could previously.
It has no XML import and output, so you can’t leave the program to color correct, or finish in another program. In fact to get the Audio out, you have to buy a $500 Automatic Duck plug in, and you have no control over where all the clips go.
It also is not made for versioning, as it autosaves, and basically has one sequence per project, or event as they are now called, so you will have lots of Events.
The lack of Multi-Clip is insane, and sure it can sync audio to one track, but won’t work with multiple tracks.
The loss of a dedicated viewer monitor makes less room for organization, and means you see the audio waveform much smaller than you used to. Also if you want to move your Events to a second monitor, your scrubbing of the clips moves to, so it is very far away from what you are seeing in the one Viewer. This was not thought out well at all. And it really seems setup for a single monitor, sure you can move one segment to another monitor, but not how you want.
For organization, it is all geared toward keywording, which is great, but you lost so much of the old organization that you could do with tabs.
The new in Timeline Trim feature feels like old Premiere 4.2.1 where you had to A B roll clips, and is a huge step backwards.
The fact that you can’t make chapter markers for Quicktime movies and DVD’s is a huge step backwards!
The auto color matching works terribly, the clips come out looking pretty awful!
I tried it with Canon 60D raw H264 and it was as sluggish as can be, as though it can play it back it is basically a ProRES only app. Going back to AVID which converts everything, now you must convert to ProRES to get the real speed out of the program.
No drivers for AJA or Black Magic video cards!
The forced organization is not made for multiple drives.
There is no way to share projects without copying everything.
Even the Title safe is messed up, there is no centercut markers on it, and I often have to do an HD edit for 4:3 SD delivery!
Sure it is 64 bit and has some cool new features, but this program is a slap in the face.
Still, being able to scrub over effects and see them on your clip is very cool. I like the new customization, where you can set keys for even every menu control. Background rendering is cool, but the fact that while it is happening you can’t organize your project is not.
Time to move to AVID or the other 64 bit program Premiere Pro, which will work with Black Magic and AJA cards.
I don’t know what Apple was thinking, but they have completely alienated a user base they spent 10 years cultivating, and made a program that no professional editor can ever use!
So far my favorite article on this is the one by Richard Harrington which I have linked to. It really goes into much of the frustrations I feel, though not about the damn magnetic timeline.
For years we have been waiting for a true 64 bit version of the program, but instead they kill the old suite including Color and Soundtrack, and released what is basically iMovie Pro.
Final Cut Pro X can’t open old Final Cut Pro sequences, only iMovie sequences.
It’s magnetic timeline doesn’t allow for any track organization. It doesn’t import or export XML so you can’t finish in anything else. The viewer window is gone, and has not been well replaced. It is not designed for dual monitors. The organization is awful. You basically have to do titles in Motion now, and it doesn’t even have a build int drop shadow!
You can do text in templates created in Motion, but have to go to Motion to do anything like you could previously.
It has no XML import and output, so you can’t leave the program to color correct, or finish in another program. In fact to get the Audio out, you have to buy a $500 Automatic Duck plug in, and you have no control over where all the clips go.
It also is not made for versioning, as it autosaves, and basically has one sequence per project, or event as they are now called, so you will have lots of Events.
The lack of Multi-Clip is insane, and sure it can sync audio to one track, but won’t work with multiple tracks.
The loss of a dedicated viewer monitor makes less room for organization, and means you see the audio waveform much smaller than you used to. Also if you want to move your Events to a second monitor, your scrubbing of the clips moves to, so it is very far away from what you are seeing in the one Viewer. This was not thought out well at all. And it really seems setup for a single monitor, sure you can move one segment to another monitor, but not how you want.
For organization, it is all geared toward keywording, which is great, but you lost so much of the old organization that you could do with tabs.
The new in Timeline Trim feature feels like old Premiere 4.2.1 where you had to A B roll clips, and is a huge step backwards.
The fact that you can’t make chapter markers for Quicktime movies and DVD’s is a huge step backwards!
The auto color matching works terribly, the clips come out looking pretty awful!
I tried it with Canon 60D raw H264 and it was as sluggish as can be, as though it can play it back it is basically a ProRES only app. Going back to AVID which converts everything, now you must convert to ProRES to get the real speed out of the program.
No drivers for AJA or Black Magic video cards!
The forced organization is not made for multiple drives.
There is no way to share projects without copying everything.
Even the Title safe is messed up, there is no centercut markers on it, and I often have to do an HD edit for 4:3 SD delivery!
Sure it is 64 bit and has some cool new features, but this program is a slap in the face.
Still, being able to scrub over effects and see them on your clip is very cool. I like the new customization, where you can set keys for even every menu control. Background rendering is cool, but the fact that while it is happening you can’t organize your project is not.
Time to move to AVID or the other 64 bit program Premiere Pro, which will work with Black Magic and AJA cards.
I don’t know what Apple was thinking, but they have completely alienated a user base they spent 10 years cultivating, and made a program that no professional editor can ever use!
So far my favorite article on this is the one by Richard Harrington which I have linked to. It really goes into much of the frustrations I feel, though not about the damn magnetic timeline.
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