Adobe Premiere Pro and Adobe Speedgrade my first experience


I recently spent the time to get decent at DaVinci Resolve, and really enjoyed it. It is a powerful and impressive grading program, and I will certainly be making extensive use of it in the future. I of course have Adobe SpeedGrade though, as it is part of the Adobe Suite, and with the latest version of Creative Cloud 2014 it has not only allowed for your whole timeline to translate over to SpeedGrade (it used to only take on track at a time), but it also applies the looks that you create almost instantly back into Premiere Pro and puts them on the clips as Lumetri Filter FX that play back in reel time on most clips, and mean you don't have to render out the clips as new clips, you can have your Color correct attached to the original clips! Not only that you can always go back and edit the effects in SpeedGrade at any time! THIS IS AWESOME!

And it works great, at least in initial testing! I was able to quickly come up with a pretty good grade, and quickly send it back to Premiere Pro where it was put back onto the original clips in the sequence! Wow! And I love the new Master Clips setting, which lets you set a grade for every instance of a source in the timeline, what a time saver!

I have to admit SpeedGrade is a little quirky though. It doesn't handle dual monitors well, not letting you split parts of it's interface off at all (which meant my scopes were too small). And it basically has no menus everything being in the interface, which seems very un-Adobe like. Not too hard to use once you learn the basics, but certainly confusing for a beginner.

And I hate the lack of Curves. Sure you can go in and you have 9 levels of control over individual luminance levels of an image and can do different color effects to each, and that is certainly powerful and has it's place, but curves such a quick and easy way of control the look of a whole image at once, that it would be a very powerful addition to SpeedGrade.

The other would be support for more than just AJA Video Output. They need to get BlackMagic support in their as more places have the less expensive alternative to AJA. And you really need video output to get a great grade.

Still, even with these issues I would consider using SpeedGrade for grading with Premiere Pro because it is so easy to do, and just have the grade within Premiere Pro, easily changeable and easily removable. For now I will still go with DaVinci for things that need reel precision, as it works with Black Magic (and that is what most machines I work on use) and has curves, and even some editing functionality, but the integration with Premiere Pro means that I will be turning to Adobe SpeedGrade for much of my color grading needs!

More on After Effects Creative Cloud issues with Warp Stabilizer Background Processing

This morning I re-installed After Effects, though it said it failed on aeselflink being open, but when I forced quit it it still would not finish install. I restarted and started after effects again. And this time Warp Stabilizer worked on 5 out of 6 clips. Quickly working in under a minute per clip, but on the last clip, aeselflink crashed again, and once again I can't get Warp Stabilizer to work in After Effects. Frustrating! Especially when it works just find in Premiere Pro.

And zero responses on Adobe Forums.

My Adobe Forums Post on After Effects Creative Cloud issues with Warp Stabilizer Background Processing

So I made a post at the Adobe Forums to see if I can get any help, you can check it out here.

I tried the second solution from Adobe Forums here as well, and am down to these quicktime components.


And interestingly I didn't see any not responding in the Activity Monitor,


but I still got the DynamicLink Server timeout.


And the Analysis never started. Very frustrating!

Trouble with After Effects Creative Cloud issues with Warp Stabilizer Background Processing Continues

OK, more on the problem.

First off I got After Effects to open after one crash after one crash (you can see the crash log in TXT form here). I re-opened the project, which was created via dynamic link from a sequence in Premiere Pro, though has since been relinked to the the ProRES footage I created. I tried re-starting the Warp Stabilizer analysis, and again it just gave me initializing.


And the blue was frozen on the image:


I checked Activity Monitor and 2 Adobe Processes are not responding, The Adobe QT32 Server and the aeselflink.


And after a minute I got the following error message:


Strangely when I try Warp Stabilizer in Premiere Pro it processes in less than a minute per clip, working just fine in the background, but it does not work at all in After Effects.

I have run permission repairs with both Disk Utility and Onyx, with a full user permissions reset, but that did nothing. Nor did using Onyx to run the daily, weekly and monthly scripts and cleaning out the Caches.

I am going to post on the Adobe Forums now, and see if I can get any help there. This is really frustrating!

Having After Effects Creative Cloud issues with Warp Stabilizer Background Processing Trouble

Shot some test footage of my puppy Indiana Bones yesterday, and wanted to process it. Was trying to use the Warp Stabilizer Effect in CC 2014 on about 7 clips I shot yesterday on Canon 60D, and ran into the issue where the background processing would not work in After Effects. It just got to initializing, and nothing every happened.

At first I thought it might be having trouble with the Long GOP files from the 60D, so I converted everything to ProRes HQ, but that didn't help at all. I then saved the project down to just CC and tried it there, but am having the exact same issue.

I tried to find solutions on the Adobe forums, and saw it could be Firewall or issues with Virus Protection or Port blocking software, but I am running none of that on this machine, so that isn't it. I also saw a post about logging out of creative cloud and back in and it would install a new version of creative cloud, but it just logged me back in, with no new version, and didn't solve any of the possible folder permission errors it was supposed to fix.

I tried deleting the opm.db file at ~/Library/Application Support/Adobe/OOBE/opm.db, but that just left Creative Cloud with a spinning beach ball, so that is no good.


Now I am re-downloading and re-installing the Creative Cloud app to see if that helps. Anyone else think the new adobe site is much harder to navigate? Took me a while to find the Creative Cloud desktop app download (
it can currently be found here).

OK, re-installed the Creative Cloud desktop app and it let me log in easily and am booting After Effects CC 2014. Will report on how it goes.

VFXER reviews Zaxwerks ProAnimator 8

VFXER has a great new review of the new Zaxwerks ProAnimator 8. It is a good review and does the comparisons with Element 3D and Cinema 4D.

Here is the first video from Zaxwerks on new features. And it seems that the newest feature is speed, as they say fast many many many times in the video! And it does look fast even with Ray Tracing turned on, which Element 3D cannot do.

And the Shadows sounds great, as you don't get shadows from Element 3D, and it includes Lens Flares and Lighting Rigs within the plug in (or stand alone app) which you need Optical Flares to do this with Element 3D.

Honestly I had written off 3D Invigorator Pro as soon as I tried out Element 3D, as it was just so much easier to use and more powerful and quick. And I like how Element 3D integrates the 3D so well into After Effects 3D world (which it looks like it still does better), but this version is the first to impress me in a while. The biggest issue for me is price. $399 is more than basic Element 3D and Optical Flares from VideoCopilot. And even the $149 upgrade price seems a bit steep. And I don't know that I need it now that I have element 3D and can use Cinema 4D within after effects. Still looks like the upgrade they should have done long ago!

Larry Jordan on why Final Cut Pro 7 editors should consider Adobe Premiere Pro CC and some of my thoughts

Larry Jordan has a very informative and in depth article on why Final Cut Pro 7 Editors should consider Premiere Pro.

I long ago made the switch on my personal system, and am starting to see companies move away from Final Cut Pro 7.

I know that Trailer Park made the move fully to AVID Media Composer for all of it's bays, but they have graphics departments, so you basically are only cutting graphics into your edit there. And I have heard rumored that it is the studios forcing many companies to move to AVID. I actually wonder if they are getting kickbacks or if it is just older people more familiar with AVID? It is a rock solid system, but it seems so dated compared to Premiere Pro which I would say is a much more modern editing software.

As for Direct Response Beach Body made the move to Premiere Pro, which to me only makes sense for Graphics Heavy projects. Especially with a fast video card.

AVID Media Composer 8.1 Update

AVID Blogs has the news on AVID releasing the 8.1 update to Media Composer. This is the first update since releasing their subscription model, and has come fairly quickly. Lets hope AVID keeps moving this quickly with updates. This was what I was worried about as AVID usually has a fairly slow update cycle.

Red Giant has updated it's Shooter Suite to version 12.5

Red Giant has updated their Shooter suite to Version 12.5.

It is $399 for full and $99 for upgrades from version 12.

It has a new version of BulletProof 1.2, Plural Eyes 3.5, it now includes Denoiser II, LUT Buddy, and now Instant 4K for uprezzing.

A great suite for on set work, and Plural Eyes is essential for all shoots with separate audio!

Fitness in Post a very cool new web site

There is a very cool new web site that was pointed out by HDSLR Shooter, and it is called Fitness in Post. It's aim is to get us post people who spend way too much time sitting down, to get in better shape.

It wants us to exercise and also recommends standing desks. And it has things like community fitbit boards to see who is exercising the most.

I would love to have a convertible standing desk, but I mostly work in different offices with set desks, so that really isn't an option most of the time. And I have an Aeron at home, but never get that nice of a chair at work. I would love to try one of these Isometric Ball Chairs though.

Anyway, and interesting site, and worth checking out.

An argument against Xeon Processors, QuickSync and H.264 Compression

Mac Performance Guide has a new test showing a MacBook Pro vs a MacPro doing h.264 encoding. The MacPro has a consumer CPU which has QuickSync. Now you have to do specific encoder settings to get this result, but it clearly shows the MacPro being thoroughly beat by the MacBookPro!

It is pretty idiotic that Intel would actual have better features in their consumer chips than their much more expensive professional Xeon chips! Really for most uses the Xeon is really best because you can have more cores and you can have dual processors, but since you can get higher core i7 chips now, maybe a hackintosh with a Core i7 would be better in many circumstances!

Adobe Premiere Pro CC 2014.0.1 Update

The Adobe Premiere Pro blog has the skinny on the latest update available through the Creative Cloud app. Mostly bug fixes with a few enhancements (Codec column in the project panel, sequence timecode added to display, and Clip Name and Timecode Filters can be set to reference info on clips specified for source tracks).

Adobe Creative Cloud After Effects CC 2014 New iCons

David Torno at the Pro Video Coalition has made some new iCons Adobe After Effects Creative Cloud 2014 versions which have the same icons as the previous CC versions. Download them now! And Twitter User Sam Parnell has made some for Premiere Pro 2014.

Apple kills Aperture, really getting out of Pro Apps

The Loop has the story.
Since iPhoto is being replaced with Photos in Yosemite, they are killing Aperture. Looks like Adobe Lightroom (always the better program) is the only solution, but it loses the great integration that iPhoto had with Aperture.
Seems pros have less to trust in Apple. Is Logic next to go? Will Apple kill FCP X after that? I wouldn't mind that, but for a company that has killed so many great Pro Apps, they are making less trust for Pro users. They already killed Shake and Final Cut Pro 7. What is next?
I love Apple computers and OS X, but I don't trust them. The new MacPro is powerful, but not expandable enough. Are they pushing pros to Windows? Or do they want us to make Hackintoshes?

Adobe Kuler available for Adobe Photoshop CC 2014


The iOS App Adobe Kuler now has a control panel for Photoshop CC 2014. You can get it at the Creative Cloud Add on Site. The app lets you create and share color themes between your iOS device and Photoshop. Very very cool!

RedShark on Panasonic FX1000 4K Camera for $899

RedShark has a great article on the exciting new Panasonic Lumix FX1000 Camera.

Sure it is a fixed lens DSLR (though it is a Leica), but one that can record in 4K for $899! And clean output over HDMI, even better! Wow. Now the audio is supposed to be very subpar, but the picture awesome if only 30FPS at 4K (and even cooler is the 100FPS at 1080) Not the flagship GH4, but still a very impressive camera!

Honestly I want one just for shooting video. I mean 4K at that price. Wow.

This is a revolution and will push 4K better than much else would.

BlackMagic updates their cameras to 1.8 and releases DaVinci Resolve 11 Beta

ProVideo Coalition has the news on both.

The Black Magic Camera have been updated with a much better interface and autofocus with performance enhancements for all 3 models. Very cool!

And DaVinci Resolve 11 Beta has been released with more editing features.

Red Giant has Updated Universe to 1.1 with 3 new Free and 6 Premium Effects!

Red Giant has updated Universe to 1.1 with 3 new Free and 6 New Premium Effects. And 3 updated Effects.

What's New in Red Giant Universe 1.1 from Red Giant on Vimeo.

Very cool. Lets hope they keep pouring out updates this quickly. The great thing about the subscription model is if they keep getting in money they can keep updating.

iCloud iOS bookmarks are messed up again

Well it seems to have happened again. My iOS Bookmarks are totally screwed up again, and I can't seem to get them to clear up.

I will explain my situation again, which has changed slightly. I run Firefox as my primary browser (used to be Chrome, but I am starting to not feel comfortable with Google having dominion over everything I do on the web), but I still use Chrome for some things. To keep my Bookmarks in sync I run Xmarks, and to get my bookmarks on iOS I run Xmarks for Safari, but it doesn't seem to do the trick.

Even though my bookmarks on my Mac in Safari match my bookmarks in both Firefox and Chrome, this doesn't seem to make it over to my iOS devices.

In the past I have run Chrome in Windows 8.1 in Parallels. I would download the latest bookmarks with Xmarks, and the Chrome iCloud plug in seemed to overwrite the iCloud bookmarks with clean ones, but this doesn't seem to be working currently.

I just wish Apple would go back to allowing direct bookmark overwrite via iTunes. They used to allow this, and have gone back to allowing it for Contacts and Calendars, but not for Bookmarks! If they aren't going to give you settings to overwrite things on iCloud, they need to at least let you just overwrite from your computer!


After Effects CC 2014 New Features

Adobe has update After Effects in the Creative cloud subscription to version CC 2014.

Built in keying has been enhanced with a Key Cleaner to fix compression artifacts in a key. And Advanced Spill Supressor does an impressive job of removing spill. Won't touch Red Giant's keying suite, but will improve Keylight in certain situations.

You can now link individual masks to effects on a single layer, and dissolve effects to lessen effect. This will clean things up by letting you so different masked effects on a single layer and track each mask individually. And you can get those masks from layer masks in Premiere Pro.

You can create Live Text Templates to leave individual text editable in premiere, especially great for lower thirds.

I/O has now been replaced by the Mercury Transmit engine from Premiere Pro, which should be faster.

Like the rest of creative cloud, there is Type Kit desktop font integration.

The iOS Kuler is now integrated into an After effects Panel.

Curves have been improved.

Mocha has been updated to version 3.2.1.

Not as big of an update as Premier Pro, but impressive nonetheless.


What's new in Premiere Pro CC 2014


Adobe has released a full document on what is new of Premiere Pro CC 2014

They have videos to demo the new major features, such as Masking and Tracking within Premiere Pro, Live Text Templates from After Effects for editable lower thirds and title cards, the awesome Master Clip effects which are added to master clips and show up everywhere the clips show up.

Other less publicized features are you can set up automatic project backup to creative cloud. Reverse Frame Matching! Set clips to Frame Size from a drop down menu, and they don't rasterize, so you are always going to the original to get the best image! AWESOME!

You now have some choice when importing projects, and can import just sequences and create folders and have the choice of duplicating media or automatically using media already in your project.

You can also browse after effects projects in the Media Browser, so you can preview compositions before importing.

A feature that should have always been there in every program is to Maintain Audio Pitch while scrubbing and playback either slow or fast! YES!!

There are Voice Over enhancements. All effects are now cross platform, which means we have lost many effects (though none were that great anyway).

And the most awesome for speed is Cross Dissolve transitions can be saved as Presets! So you can have multiple length effects set up already, and you can change multiple transitions at once!


Premiere is really improving, and at this rate will easily be the best editor choice around. AVID is going to have to learn that they need to upgrade quickly now that they are also doing the subscription model or they will fall behind really fast!

OnOne and Adobe Creative Cloud 2014

It seems OnOne's software will work with 2014, but you will need to re-run the installer again. You can't currently use the Extension panel until they update, but it still works through file Automate.

Adobe needs to do something about 3rd party Plug Ins to make it easier to upgrade

With the release of Adobe Creative Cloud 2014, we have yet another set of programs installed in our computers, which is nice, as the last version will keep working for old jobs (and when plug ins have not been rewritten yet), but it makes for a pain in the ass in getting plug ins working again.

After Effects has so many places plug ins can be installed. In your Library folder and in the Plug ins folder in it's application. So you have to painstakingly either re-install all your plugs in or go through and copy plug ins over between versions.

Photoshop used to do this well, with a 3rd Party plug-ins folder. So when you installed a new version you could just point Photoshop to this folder, and all your 3rd Party Plug-Ins would be there. Of course in true idiotic fashion they removed this feature.

And sure, some old plug ins will not work, but they could do a browser style plug in checker, which checks if your version works, and you could have a way to force them to work (or at least try to work) if it doesn't know (as is possible in browsers like Mozilla Firefox).

This would just make everything so much easier and smoother with every upgrade! And since all CC users are in Creative Cloud, they will getting all the new updates, and likely implementing them!

Please Adobe do something about Plug-In Management and do it soon!

VideoCopilot with Adobe Creative Cloud CC 2014, Element 3D not working yet

Update on VideoCopilot Software and Adobe Creative Cloud CC 2014. Looking over at the Forums, it seems that everything except Element 3D is working with Creative Cloud 2014. And according to Andrew Kramer's Twitter Feed, they are working on it.

With Red Giant working, and everything but Element 3D working, most of my plug ins are good. Now time to check on Re:Vision plug ins!

Red Giant Updates for Adobe Creative Cloud 2014

Luckily that didn't take long. Red Giant has updated all their software for Adobe Creative Cloud 2014.

Really many of the most important plug ins for After Effects. I use them every day!


Having a ton of issues installing Adobe Creative Cloud 2014 on my home computer, SugarSync again looks to be involved

Am having a ton of issues with installation of the latest and greatest update of Adobe Creative Cloud 2014 on my home computer. No problem at work. And I love how the new versions install as new Apps (though this of course creates plug in issues, and having to re-install plug ins to make them work), but it leaves the old version untouched, so you can keep working with old version on current projects.

Well first off I am still having issues with CS6 updates. I have 8 CS6 updates that just will not install. They error out every time, and I have even tried downloading the individual installers and running them, but they just won't update, and I am not sure why.

As for CC 2014, well first I have been getting a ShellExtLoader error message, and to quit the program to continue, but quitting the app using Activity Monitor kept the error coming. I think this is the fault of SugarSync, which I had forgotten to turn off. So after quitting SugarSync, I tried the installs again, but have kept getting failures on many apps, though not all of them. Really wish those two companies would get together and fix this issue, though I have been considering dropping SugarSync anyway, since it does not have the iOS interactivity of DropBox, and with iCloud looking to be improved with iOS8 and Yosemite, I might be able to replace a lot of it's functionality that way.

My final solution has been to quit Creative Cloud, then use XtraFinder to launch it as Root, and run the installs. This has mostly worked (had to do it a few times to get the installs working) and I think I am all installed except for the aforementioned CS6 apps.

And unfortunately Red Giant has not yet updated it's plugs ins for CC 2014 yet, so...

Lightworks has released a Mac Beta of it's free editing software!

Lightworks the open source editing software with a venerable history has now released a public beta of the Mac version of the software. It is version 12.0.a

Lightworks is free, though to get the Pro version, it is either $7.99 a month, $79.99 a year or you can buy it outwirght for $279.99. And for serious editing you will want this, since not only does it include other export optins, but it allows you to use Hardware I/O from BlackMagic, AJA or Matrox. It also allows project sharing and the ability to set project locations.

I have never tried lightworks, but need to give it a try. It certainly betrays it's feature editing roots in that it can only work with one frame rate for the whole project. So if you need to import footage of a different frame rate you will need to convert it first.

Lightworks includes a lot of videos on their web site to get to know the program and learn how to use it.

A free or at least inexpensive cross platform editor is a great thing, but I need to play before I see how it actually is.

Looks like a Bluetooth LE Adapter will not enable handoff in older Macs

MacRumors is reporting that Bluetooth LE Adapters do not add Handoff support to older Macs.

If this happens in the final release (which seems likely) it is really shitty of Apple, and just a way of trying to get users who want the feature to buy new Macs.

Especially annoying when something like the IOGEAR Bluetooth 4.0 USB Micro Adapter adds full Bluetooth LE support out of the box without software. So it looks like it is a physical lockout on the part of Apple on older machines instead of a technical issue.

Hopefully if it is the case someone will release a 3rd party hack that enables this very cool feature.

StudioDaily on Adobe Ink and Slide for iPad

StudioDaily has a great look at the now release $199 Ink and Slide by Adobe for iOS. The new Stylus's look very powerful, though a bit on the pricy side, and they work with new Adobe Apps, Adobe Sketch for sketching, Adobe Line for drafting and the new Photoshop Mix. And these apps are free so you can use them without Adobe's new physical tools.

StudioDaily has a first look at the new Adobe Creative Cloud Video Suite Features

StudioDaily has a great first look at the new features being released with the latest Creative Cloud release.

Effects Masking and Tracking within Premiere Pro sounds like an awesome addition, as are Master Clip effects, which will make color correction a breeze.

As for SpeedGrade the direct link to Premiere Pro feature where you actually open your timeline in SpeedGrade would seem to answer about half of my issues with SpeedGrade. Now they just need to get some curves going in there.

The ability to apply filters per mask in a layer will greatly speed up effects, and simplify timelines. And the Live templates features is very very cool. Where you can set text lines in After Effects to be editable by an editor within Premiere to quickly make lower thirds and the like based on a graphical template.

All in all it sounds great, and I hope the download is available soon!
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